By exploring his passions and drives, Schible has given meaning beyond the surface to Sakamoto’s music. A graceful, intimate study of a the legendary Japanese musician, composer, actor, writer and activist.
There is a unity in chaos that he hopes to channel through his compositions, to discern harmony from dissonance and blend the two in song. He sits in the forest and ponders birdsong, and is seen “fishing the sound” from pools of melting snow in the Arctic Circle. Keep your little ones (and yourself) entertained with three animated works by Latinos and about Latinos streaming on Netflix. Here Sakamoto demonstrates his own connection to nature. And Ryuichi Sakamoto: Coda profiles that celebrated composer. Reality and cinema combine seamlessly as editor Hisayo Kushida transitions from studio recordings to film clips that outline an eclectic career. Be it the movement of water in Andrei Tarkovsky’s 1971 sci-fi Solaris, or the fierce isolation of 2015’s The Revenant by Alejandro G Iñárritu, Sakamoto is overwhelmed by their appreciation of the sublime. Rather than presenting a narrow perspective, sufficient understanding is gathered from tales of his collaborations with a plethora of esteemed directors. Schible is deeply respectful of his subject, never probing beyond the boundaries set by Sakamoto, the sole interviewee. The rain pounding on trees outside maintains a sparkle in his eye even as he swallows pills and brushes his weakened gums. Protest gives the 66-year old an infectious energy, and as the focus moves to the composer’s daily rituals, a distinct musicality emerges in life’s mundanity. As Sakamoto returns to music following a cancer. Following Fukushima, Sakamoto became an iconic figure in Japan's social movement against nuclear power. Lawrence (1983), for which he won a BAFTA Award. From techno-pop stardom to Oscar-winning film composer, the evolution of Ryuichi Sakamoto's music has coincided with his life journeys. 'Sakamoto’s first film score was Nagisa Oshima’s Merry Christmas Mr. They are interrupted by a rapturous rendition of Sakamoto’s theme to Nagisa Oshima’s Merry Christmas Mr Lawrence, blurring the atrocities of World War Two with his formative ’80s style. Documentary on genius Japanese composer Ryuichi Sakamoto, whose career encompasses iconic film scores and experimental electronic music, helping pioneer synth-pop, techno and house. Whether it’s showing Sakamoto, now 66, attempting to coax some agreeable notes out of a piano that had been swept away in the 2012 tsunami or, some years later, striving to write more personally meaningful music as he attempts to regain his strength despite a daunting daily pill regimen, Schible’s thoughtfully articulate subject endearingly charts an uncertain future.The opening shots are hauntingly devoid of sound as the camera sweeps over landscapes scarred by tsunamis and nuclear bombs. your favorite streaming services, and no ads Tell me about Pro. One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades.
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An Armani suited (and very young) Ryuichi Sakamoto sits in a bathtub, full of bubbles, with a dangerously placed electric lamp. The album art, as you can see from above, is very slick.
Iñárritu’s “The Revenant,” director Stephen Nomura Schible supplements the nicely chosen clips with something even more resonant. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Great album for a debut release in 1978, with links to the National Album of the Chinese Cultural Revolution as a bonus (yes, look it up). Lawrence,” Bernardo Bertolucci’s “The Last Emperor” and, most recently, Alejandro G.
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While dutifully chronicling Sakamoto’s musical journey from co-founder of the ’80s techno-pop outfit Yellow Magic Orchestra to writing acclaimed movie scores for Nagisa Oshima’s “Merry Christmas, Mr. The intimate documentary “Ryuichi Sakamoto: Coda” finds the accomplished composer in a deeply introspective place in both his life and career.įilmed over a period of several years during which time the iconic musician and vocal anti-nuclear activist was first diagnosed with Stage 3 throat cancer (he’s currently in remission), this gorgeous looking and sounding production offers rewarding insights into the creative process.